MA Animation explores both theory and practice, giving you the tools to express your creative ideas using a range of visual media.
In an era with unparalleled opportunities for skilled visual communicators, and with advancing technologies changing how the moving image is experienced by audiences, we teach animation as an experimental visual practice .
You’ll be encouraged to test boundaries and experiment to find your own creative voice. You’ll explore meaningful themes while learning how to engage with audiences through multi-disciplinary approaches and outlining critical ideas in visual culture, drawing reference to contemporary, personal, social, ethical, cultural, political, religious and environmental issues.
Enterprise and employability are central to the design of the course, enabling you to develop your creative, technical and academic skills, and to apply these to your own creative practice.
Where possible, you may have opportunities to work on projects such as live briefs, industry partnerships, or a combination of activities.
MA Animation is offered in full-time mode and runs for 45 weeks over 15 months, with a break over the summer. You will be expected to commit an average of 40 hours per week to your course, including teaching hours and independent study.
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Offers will be made based on the following selection criteria, which applicants are expected to demonstrate:
Graduates of MA Animation will be equipped to work in an increasingly technologically informed and interdisciplinary design world, with in-depth skills in the following areas: animation and animation production both 3D and 2D visual communication, narrative and sequential image making, typography, and time-based design as well as having a portfolio of personal work to enable you to seek work as a commercial animation director.
A significant proportion of graduates from this course will want to practice as commercial animators.
Our alumni association offers graduates support and a number of benefits.
Find out how careers and employability helps our students and graduates start their careers.
In response to the Climate Emergency, UAL has embedded responsible practices within the curriculum. We shaped our courses around principles of social and racial justice, and environmental sustainability that ensure learning outcomes reflect the urgent need to equip you with the understanding, skills, and values for ethical practice and empower you to work towards an equitable future.
This MA course is divided into five units. Each unit is credit-rated. The minimum unit size is 20 credits. The total credits for this course is 180 credits.
In Term 1 you will explore a range of technical and conceptual approaches to animation by producing short-form animation tests. This unit aims to support the development on your individual voice as an animation practitioner.
You'll engage in experimental animation process and practice, developing your distinct visual voice. This is underpinned by critical study that significantly expands your understanding of the themes that animation can address in a critical context, and by a technical programme that ensures you are able to experiment widely with various animation techniques.
In this unit, you will engage in a programme of theoretical seminars that explore the specific cinematic underpinning of animation culture and practice.
This forms the technical and conceptual basis for the subsequent units of the course.
You’ll have the opportunity to engage in a specific collaboration with a related course or an external partner. Collaborative partners may include fellow postgraduate students at LCC or UAL, postgraduate students at other Higher Education Institutions, and external organisations such as companies, cultural institutions, community groups, NGOs and charities.
In this unit, you'll develop and produce a short animation or a body of experiments that form a coherent project - exploring a range of technical and conceptual approaches to the workflow of professional animation production.
Working from concept, research and development to pre-production, production and post-production, you'll outline a critical idea or theme that draws reference to a range of contemporary, personal, social, ethical, cultural, political religious and/or environmental issues.
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